CHEICK KANTE — AI FILMMAKER & CREATIVE TECHNOLOGIST

Stories with
a living soul.

I build and ship AI-native animated films—from story and multimodal prompting to multilingual voices, editing, publishing, and audience growth.

MADE BETWEEN MEMORY & MACHINE Scroll to explore01 / 05
20original films
11.5M+catalogue views
57K+YouTube audience ↗420K+TikTok audience ↗

Flagship case study

Released Aug 15, 2026

Souroukouba and Faliba
— The Donkey's Cry

Souroukouba ni Fali ku, dama tèmè dan - Conte animé en Bambara et Français

A completed long-form AI production built from story development through release—and the clearest example of how I turn experimentation into a repeatable creative system.

Souroukouba in the village from The Donkey's Cry
Finished film562,231 catalogue views

“The challenge was to sustain a believable world across an entire film instead of just generating few beautiful images/sequences.”

Souroukouba exhausts a village's trust by turning an alarm donkey's cry into a game, then discovers no one believes him when danger is real.

The challenge

Coherence at long-form scale

Maintain character identity, geography, action logic, light and emotional continuity across hundreds of generated and reviewed shots.

My role

Full-stack creative production

Story developmentCreative directionWorkflow designImage and video promptingModel evaluationMultilingual voice directionEditing and releaseSocial repurposing

The result

A released film, not a demo

A finished Bambara/French story, published to an established audience and repurposed into social-first material.

The production system

Creative decisions that survive the pipeline.

  1. 01Story and dramatic intent
  2. 02Reusable character and location references
  3. 03Shot planning and continuity anchors
  4. 04Image and video model comparison
  5. 05Multilingual voice, edit and quality review
  6. 06Long-form release and social-first repurposing

Model evaluation in production

Same scene objective. Better reference discipline. A visible reduction in identity and world drift.

First AI storyboard pass showing incorrect character and world choices
01 — First passSemantic drift: the action is readable, but the cast and world do not match the production.
Reference-guided storyboard pass with the intended characters and village
02 — Reference-guidedThe intended characters, location, light and action now carry across the full beat.

A safe prompt excerpt

Prompting as a production contract.

The brief describes what the shot must communicate, which references must remain stable and what failures invalidate the result.

Objective
Show the correct, respectful way to call the village for help.
References
Faliba, mare's son and the established alert-post village.
Action
Approach → gentle tail pull → alarm response → community consequence.
Camera
Establishing wide → approach → contact close-up → response wide.
Continuity
Same geography, warm late-afternoon light and intact tail state.
Failure checks
No character swaps, broken anatomy, theatrical panic or location drift.

Selected films

Stories I
shipped.

Long-form animated stories built, finished and published for the Souroukouba & Zozaniba audience.

Aug 15, 2026 — Bambara audio

Souroukouba and Faliba — The Donkey's Cry 562,231 views

English captions by default when available

Souroukouba exhausts a village's trust by turning an alarm donkey's cry into a game, then discovers no one believes him when danger is real.

In a village where no one is left alone in times of trouble, pulling Faliba's tail brings everyone running. But Souroukouba the hyena discovers that the donkey's cry can also draw attention to him.

Lie after lie, Souroukouba wears down Faliba's voice and the villagers' trust—until danger becomes real and no one believes him. A Malian tale about mutual aid, lies and the price of trust.

Animated folktaleTrustMutual aid

Feb 28, 2026 — Bambara audio

Kiribodougou — How Far Will His Hatred for His Brother Go? — Part 2 232,961 views

English captions by default when available

After N'Golo's hard work brings abundance to barren land, his jealous brother Moussa seeks the spirits' power and faces a painful lesson in humility.

Healed and blessed by the djinns and Zozaniba, N'Golo transforms dry land into abundance through work and wisdom. His success drives his older brother Moussa to madness.

Determined to recover his former status, Moussa enters the forest to demand power from the spirits, only to face a lesson in humility. This tale explores karma, arrogance, forgiveness and compassion.

Animated folktaleKarmaFamily

Feb 14, 2026 — Bambara audio

Kiribodougou — Thirsty, He Saves a Hare with His Water — Part 1 441,303 views

English captions by default when available

Publicly humiliated and left hungry by his brother, N'Golo begins a perilous journey that will test his dignity, resilience and kindness.

In Kiribodougou, Moussa lives in abundance while his younger brother N'Golo faces public humiliation, hunger and contempt. The cruelty of one brother slowly tears apart the bonds of family.

When N'Golo is pushed beyond endurance, he ventures into the bush with very little water. An unexpected encounter opens a path shaped by dignity, resilience and compassion.

Animated folktaleResilienceCompassion

Repeatable creative workflow

From model tests
to finished stories.

I use generative tools as a production medium: testing their limits, keeping the useful decisions visible and building a repeatable path from idea to audience.

01

Story & shot system

I translate a narrative into scenes, beats and camera intentions before generation, so every shot has a job beyond looking good.

Story → scenes → shot intent
02

Prompt & reference iteration

I test models against the same brief, lock visible references and document failure modes to keep characters, places and action coherent.

Adherence → consistency → selection
03

Voice & localization

I direct multilingual speech and align performance, timing and captions so Bambara and French storytelling can travel without losing its rhythm.

Voice → timing → captions
04

Edit, release & growth

I finish long-form episodes, package them for YouTube and turn the strongest hooks into social-first teasers and short-form series.

Film → package → audience
PRODUCTION STACKGPT Image Nano Banana Seedance PixVerse Kling ElevenLabs Fish Audio DaVinci Resolve
CK

About Cheick Kante

I build the system.
Then ship the story.

I'm an independent AI filmmaker and creative technologist based in Paris. I combine story development, creative direction, multimodal prompting, model evaluation, voice and editing to make complete films—not isolated experiments.

Alongside filmmaking, I bring 6+ years of enterprise consulting experience: leading cross-functional work, making complex systems understandable and turning experimentation into reliable delivery.

01Paris, FranceRemote across Europe
02French & BambaraNative
03EnglishFull professional proficiency